Paranoiac (DVD)
Paranoiac is a black and white 1963 psychological chiller from the Hammer house of horrors, a British production company famous for its out-and-out supernatural and paranormal movies.
Paranoiac pussyfoots into Psycho territory with Oliver Reed as Simon, a rich and spoiled playboy who will stop at nothing to make sure he gets the full measure of his dead parents’ estate. Some think he’s insane, while others believe it’s his sister Eleanor (Janette Scott), a fluttery young woman who has all the cool and composure of a cornered rabbit. Perhaps the real crazy one is their brother, Tony (Alexander Davion), who’s just shown up at the family estate after years of being lost without a trace.
When Eleanor catches a glimpse of Tony at the annual memorial service for her parents, she faints dead away, then, back at home, decides to kill herself. After all, everyone she ever loved is gone… but just in the nick of time Tony comes to her rescue, confirming that he is indeed flesh and blood. Now the plot thickens when Simon calls the genuineness of Tony’s claims into question — will the supposed impostor just go away, or will Simon have to make sure he goes away for good?
Paranoiac borders on camp what with its over-the-top plot and stratospheric broadcasting; Reed is particularly hammy as the sadistic and brooding Simon, but Scott is more than his match when they go head-to-head in some moments of high family drama. Despite its limitations, the movie is very well-directed by Freddie Francis, a former cinematographer with a marvelous eye for long shadows and macabre imagery.
While Paranoiac is just barely horror (something happens at the end which give it some cred to claim it as such) and it is rather dated, it’s still an interesting addition to this series as it shows the range the studio actually had — if you think it was only Christopher Lee in Dracula movies, The Hammer Horror Series will make you think again.
Reviewed by Staci Layne Wilson
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The Hammer Horror Series — A collectible set of eight classics featuring Frankenstein, the Werewolf, Dracula and more. On DVD September 6, 2005 (Universal Studios Home Entertainment)
Official synopses of the other films in this collection:
"Brides of Dracula" 1960
Marianne (Yvonne Monlaur), a beautiful young French girl, is stranded en route to a teaching assignment in
"Phantom of the Opera" 1962
Herbert Lom stars as the Phantom in Hammer Films' celebrated production of Gaston Leroux's horror classic. Mysterious mishaps bedevil a
"The Kiss of the Vampire" 1963
Lost on the way to their honeymoon, a young couple stumbles upon a mysterious family of vampires and their evil leader. A wrong turn leaves Marianne (Jennifer Daniel) and Gerald (Edward de Souza) stranded in a remote Bavarian forest where they have no choice but to accept the hospitality of the hypnotic Dr. Ravna (Noel Willman), distinguished lord of the local castle. Ravna uses his "children" to lure the newlyweds to his lair, and soon, they are plunged into a nightmare of horror and deception from which there may be no escape. Their only hope is Professor Zimmer (Clifford Evans), who calls upon an ancient ritual in a desperate attempt to destroy the vampires and free Marianne from Ravna's power. A lush 19th-century-setting, masterful direction, and vivid special effects intensify this spooky Hammer Films chiller.
"Nightmare" 1964
This thriller walks the thin line between sanity and madness, exploring the shadowy world between dreams and reality. As a child, Janet (Jennie Linden) witnessed an unbearable horror: her insane mother stabbing her father to death. Now a young woman, Janet's recurring nightmares have her convinced she'll follow her mother to the asylum. Accompanied by her schoolteacher Miss Lewis (Brenda Bruce), Janet retreats to the home of her guardian (David Knight), who has hired lovely Grace (Moira Redmond) as a companion to help calm his troubled ward. But Janet's nightly terrors, magnified by the eerie, creaky old house, bring all of her fears chillingly to life. Are Janet's problems all in her head, or is there a sinister force at work? Startling plot twists reveal that sometimes when you wake up, the nightmare is just beginning.
"Night Creatures (Captain Clegg)" 1962
In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain Collier (Patrick Allen) and his crew to check it out. When a mysterious swamp phantom clouds the investigation, Captain Collier suspects the odd village vicar (Peter Cushing) may be hiding something. What better way to do that than by the appearance of ghosts to scare away the curious, or by posing as someone he is not?
"The Evil of Frankenstein" 1964
Peter Cushing stars in this inspired fantasy as Baron von Frankenstein, the creator of the infamous monster. On the run from irate villagers who disapprove of his unorthodox experiments, Dr. Frankenstein returns to a remote mountain castle with his assistant Hans. Caught in a snowstorm, they are rescued by a mute deaf girl (Katy Wild) who leads them to the safety of her cave home. There, Frankenstein finds his original creature preserved in ice. Resurrecting the monster in his laboratory, Frankenstein discovers the brain is dormant, and he calls in Zoltan, a mystical hypnotist (Peter Woodthorpe). But Zoltan uses the creature for his own selfish purposes, and unleashes a violent chain of events. This chiller offers all the excitement and suspense of the original with spectacular effects and blood-curdling action in vivid color.
"The Curse of the Werewolf" 1961
Oliver Reed portrays the bloodthirsty man-beast who loves by day and kills by night in this gripping gothic thriller. Directed by famed horror filmmaker Terence Fisher, this atmospheric tale of terror follows Reed, the orphaned baby of a maniacal beggar and a mute girl, from birth to manhood, when he discovers his horrible secret. Try as he may, the cursed youth is unable to suppress the dark forces within. When the moon is full, he becomes an uncontrollable killer incapable of distinguishing between friend and foe. Spectacular makeup effects and beautifully photographed 19th Century European locales heighten the suspense of this classic werewolf story.