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The Blood Spattered Bride (1972)
![]() >>: C Deadgirl (2008) ![]() It tells the disturbing story of two high-school friends, Rickie and JT, find a naked girl covered in plastic, chained to a table in the basement of an abandoned insane asylum. Soon discovering that despite seeming already dead, the girl isn't dead yet or more precisely somehow turns into undead, and the boys decides to take advantage of the situation. Quote:
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Southland Tales – My second viewing. Still kind of a mess and too long, but it’s still very funny and has some great moments. Looking forward to Kelly’s The Box later this year.
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Death of a Ghost Hunter
I am not sure how many of you have seen this as it more of an independent low-budget movie. If not I highly recommend it!! It is some-what a breath of fresh air as it was smartly done and was actually completely narrated. it plays out sort of like blair witch in that it's supposed to be based of a true case and such...makes you really wonder if something like this actually happened... 8/10 (the audio is a little wonky in parts, i just kept that whole thing loud) as for the next one...i may get inspired from HDC's most disturbing list :D |
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Umberto D. (1952)
Battisti did not play Umberto D. Battisti was Umberto D. This is one of those rare performances which have only occured several times since the dawn of the cinema- one which is so genuine, so complete, so radically human that to call it acting would seem insulting. There is a daring pathos to De Sica's character study, and his efforts pay off. The director's neo-realist style lends itself nicely to the film; we're so close that at times we feel invasive and at times we feel we might extend an arm to this lonely man. His every worry is ours, and his presence fills us with all the knowledges and experiences we've never had before. There is a tragic urgency to the pace of the picture and it kept me frantic and on edge, as if I was watching reality unfold before me and needed a happy resolution for this old friend of mine before the running time of the film expired. While De Sica certainly is not afraid to venture the depths of sorrow and loneliness, he refuses to do it without a constant eye on the strength of the human spirit. I actually prefer this to Wild Strawberries, a film along the same vein and theory.
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