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Saw QUARANTINE today, which started out as really promising. Before I stopped the movie twice in irritation with the writing. Finally made it to the end but found it pretty unsatisfying. Plenty of scares, sure, but not a lot of meat on those bones.
I wanted it to be so much better than it ended up being. Anyone seen the original to compare? |
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I think it's the lack of some kind of justice that gets to me. No revenge in the end. Eden Lake actually managed to leave me with a feeling of being stressed out. Seriously. Just like a very stressful and irritating day at work. Where i appreciated the originality of Irreversible and Funny Games I didn't get anything out of Eden Lake other than some good acting.
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I'm right. It's the rest of the world that's wrong. |
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Especially The Exterminating Angel, which I can't wait to watch again.
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L'eclisse (1962)
The final segment in Antonioni's informal trilogy is a giant question. He boldly asks "so what?", and directs it both at his audience and at himself. Like the central character, Vittoria, the director goes in and out of the narrative, alternating between disinterest and curiosity; he may point his camera at what he wants us to see, or he may point it at something that steals his attention, a momentary distraction. The important thing to note is that out of the infinite number of conceivable stories about potential lovers, Antonioni chooses this one- but the choice is not only unimportant, it is irrelevant; he shows us the selfishness of the organic human being, the idea that every person foolishly looks at the world as a personal camera, and that their life represents the big picture, when in fact life moves on every day with or without any certain individual. When the picture finishes, there is the revelation that the central characters are not really central at all. This doesn't mean that the movie's two stars are not special, however. Alain Delon plays his part with an ecstatic energy which not only makes him delicately interesting- it allows him to be completely absorbed with himself. And Monica Vitti- illuminating seems an understatement for this woman; she is indescribably attractive, and she approaches this part with an innocence that the story simply could not do without. The film is beautiful; Antonioni may not have any answers to his questions, but the process is so natural and soothing that it just doesn't matter.The final segment in Antonioni's informal trilogy is a giant question mark. He boldly asks the question "so what?", and directs it both at his audience and at himself. Like the central character, Vittoria, the director goes in and out of the narrative, alternating between disinterest and curiosity; he may point his camera at what he wants us to see, or he may point it at something that steals his attention, a momentary distraction. The important thing to note is that out of the infinite number of conceivable stories about potential lovers, Antonioni chooses this one- but the choice is not only unimportant, it is irrelevant; he shows us the selfishness of the organic human being, the idea that every person foolishly looks at the world as a personal camera, and that their life represents the big picture, when in fact life moves on every day with or without any certain individual. When the picture finishes, there is the revelation that the central characters are not really central at all. This doesn't mean that the movie's two stars are not special, however. Alain Delon plays his part with an ecstatic energy which not only makes him delicately interesting- it allows him to be completely absorbed with himself. And Monica Vitti- illuminating seems an understatement for this woman; she is indescribably attractive, and she approaches this part with an innocence that the story simply could not do without. The film is beautiful; Antonioni may not have any answers to his questions, but the process is so natural and soothing that it just doesn't matter.
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Among the recent victimization or survival horror trend I think Eden Lake is the best of its kind...the "irritation" or "brutality" at the end or through the whole movie made it a modern day classic. Like Anguur, the ending also disturbingly pissed me off at the very first time but later I came to realize that's actually the true beauty or success of this movie!:D Quote:
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@Letterboxd |
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I guess you just appreciate exactly what i hate about this genre.
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I'm right. It's the rest of the world that's wrong. |
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