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#1
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Aronofsky's The Wrestler scores big at Venice!
September 7, 2008
Darren Aronofsky's drama “The Wrestler,” starring Mickey Rourke as a washed-out pro grappler in comeback mode, pinned down the Venice Film Festival’s Golden Lion. “We need to thank Mickey Rourke for opening up his heart and soul for the camera and reminding the world what a great talent he is,” said Aronofsky amid cheers on the Sala Grande stage. A beaming Rourke stood by his side, even though he did not nab the Venice thesping nod. It was soon clear, however, that Rourke failed to receive the Coppa Volpi due to a technicality. Jury prexy Wim Wenders criticized rules that prevent the Golden Lion winner from also picking up acting prizes --suggesting Rourke should have scooped it. “Thank you for inviting us to the dance,” said Rourke in a gray suit and a pink polka-dotted tie. “Darren Aronofsky came here a couple of years ago and fell on his ass,” he said referring to Aronofsky’s “The Fountain,” which premiered in Venice in 2006 and subsequently flopped. “I am glad he had the balls to come back.” Rourke also thanked the jury “for making the right decision.” As cocky as that may sound, it was a widely shared sentiment among attendees at an edition of the fest that was heavily criticized at first but gained steam in its second half, though it still badly needed the headlock blow delivered by “The Wrestler” on its final day. The prize is likely to bolster Venice’s cachet. A U.S. distribution deal for “The Wrestler,” which is co-produced by Gaul’s Wild Bunch, is now deemed imminent in Toronto. Andrea Occhipinti, topper of Lucky Red, the pic’s Italo distrib, said he was eyeing a January release date “after the Oscars campaign.”
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#2
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looking forward to this one...
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You make stupid look smart. |
#3
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awesome! I really like Aronofsky's visuals!
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#4
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Quote:
Both Aronofsky and Rourke are overdue for nominations, and from the sounds of the buzz they could probably pull off a nod or two - why wait and release at in anti-awards season? No matter how good the movie is, an early release is Oscar suicide. Zodiac, anyone?
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"There is always some madness in love. But there is also always some reason in madness." - Friedrich Nietzsche |
#5
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Ditto. Its always good to see Mr Rourke in something deserving of his talents.
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#6
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damn right ... and he's in Toronto right now ...(i wish we could get to interview him !)
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You make stupid look smart. |
#7
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Distribs began digging into their pockets Monday as the Toronto Film Festival neared the midway point.
Fox Searchlight's pickup of "The Wrestler" for just under $4 million ended a sluggish deal climate in the event's opening days despite a positive response to many films. Searchlight prevailed in an intense wee-hours bidding war for Darren Aronofsky's pic, which just won the Golden Lion at the Venice Film Festival. The Mickey Rourke starrer is also slated as the closing-night title at the New York Film Festival in October. As news of the buy blinked across BlackBerry screens across town early Monday and CAA's rooftop party at the Hyatt raged on, many dealmakers felt a much-needed shot of energy. "Everyone was waiting for that one to go," Cinetic's Matt Dentler said. "So now they can loosen the purse strings." After the packed screening of "The Wrestler" at Toronto's Elgin on Sunday night, interested buyers huddled on the street and then made their way to the Four Seasons Hotel to offer bids and pitch release plans.On Monday afternoon, though, the buzz had built up in the festival bubble to the point that a packed press-and-industry screening elicited only limited applause. Viewers seemed satisfied on the whole but had to try not to let their expectations get out of hand given the news of the deal and the acclaim in Venice. A further twist is that the film is a stylistically restrained outing for Aronofsky, known for the brio of acclaimed indies "Pi" and "Requiem for a Dream" and studio misfire "The Fountain." Wild Bunch's Agnes Mentre and Vincent Maraval, who financed the film, ran the meetings with CAA reps and Aronofsky, who had a strong say in which company would handle the pic. There were multiple bids besides Searchlight's: Lionsgate, Overture and Weinstein Co. were in the running, while other buyers who didn't call fast enough were told they were too late to enter the fray. The pact closed at 2 a.m., but deal points weren't finalized until later in the morning. Aronofsky has long been a fan of Searchlight, he said Monday at the Four Seasons, where he and Rourke, still recovering from the latenight Park Hyatt celebration of the film's success and co-star Evan Rachel Wood's 21st birthday, were conducting interviews. "We want the film to be seen by as many people as can see it," Aronofsky said. "Fox Searchlight can help make that happen. I seem to always make films that are challenging to market." For Searchlight, the pic is a welcome addition regardless of the risks. The specialty arm's slate needed some fortifying. Upon wrapping the deal, Searchlight topper Peter Rice called "The Wrestler" an "unbelievably electrifying and compelling tale with tour de force performances."
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"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
#8
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That would be really cool! Have you met him before?
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#9
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oh hell no - i wish ! my buddy Chris is a huge fan of him as well and i know he'd jump at the chance for an interview - i'd just pray to be allowed to go along for the ride. i could see mickey forbidding cameras though ..
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You make stupid look smart. |
#10
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Yeh especially after all the shit he's gotten thru the media over the last 10 years.
I haven't read any interviews with him for a long time. |
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