Quote:
Originally Posted by Damn Heathen
Such exposition can be skillfully added via dialogue or narration. If you're writing a scene in a novel, you wouldn't generally use three paragraphs to describe the scene and then provide the dialogue. The same theory applies to cinema.
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Dialogue happens in a place and time- such as a family eating breakfast, or whatever. Narration in a film is used as a last resort. It's often a symptom of a lazy writer or director. Not that it's never effective, just as a rule, it's avoided.
In a scene in a novel, you might not have three paragraphs in a row, describing a scene, but a writer may break it up - description... dialogue... description... dialogue... description. Or there might very well be three paragraphs of description. It depends on the style.
The original question was "what do you love most in horror." I gave my answer. I want a strong story. Roshiq added an element of character development and motivation. I agree with him. Those are the things we like, even if others may not.
It's true in this day and age that people raised in these hyper-kinetic times may not have the patience for a well crafted story, and only want the visceral thrill of jumps and "kills." Different strokes, as they say.
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