Not official or even considered for production, just my story I hope somehow,someway finds it's place in the Story!
I just noticed my SHERIFF has 2 R's (SHERRIFF).Not changing it,It's how we talk around these here parts!:D
I Voted for the GIVE UP option in the POLL,so you know the other VOTE wasn't myself!:D
I used the SCENE HEADINGS and some CHARACTER NAMES such as YOUNG MAN and HOT BLONDE,or HORNY GUY,and HORNY GIRL to also describe the scene without that much of my own input, for you to imagine it yourself.Just get past a little of the goofy stuff and give it a chance.
TITLE: HALLOWEEN 3
(MY BROTHERS KEEPER) = ?
WRITTEN BY: D.A. Bowsher
SCENE #1: OPENING
FADE IN:
BLACK SCREEN with BOLD WHITE LETTERING statement:
When The Pale Horse Comes Calling,
And Grows Near.
Rest Assured In Knowing
That We Are Almost Home.
Break the screen with the SOUND of SHATTERING GLASS,
with the letters cracked and busted,they begin flying
in broken pieces towards the screen, as they fill with
BLOOD and begin turning from WHITE, to RED with the
words PALE HORSE coming straight at the screen. which
leaves just the BLACK SCREEN empty.
CUT TO:
(INT/EXT.) HADDONFIELD - ISOLATED CABIN - NIGHT:
Immediately from the BLACK SCREEN, the silence is broken
with a LOUD SCREAM from LAURIE STRODE, as it FLASHES a
scene of HER, struggling and being held down by a young
MICHAEL MYERS inside the CABIN from the PREVIOUS MOVIE.
This is followed by another black screen with CREDITS
that also flies towards the screen.
Quickly followed by a FLASH of MICHAEL in all his glory
stabbing DR. LOOMIS to death. Followed by more CREDITS.
Then right after the CREDITS. You HEAR a GUN SHOT, that
hits MICHAEL as he then falls and is IMPALED on some
FARMING EQUIPMENT inside the CABIN. Run more CREDITS.
Following immediately after the CREDITS, It shows LAURIE
dropping to her knees, wearing MICHAELS MASK just outside
the CABIN in the HELICOPTERS SEARCHLIGHT, she slowly
pulls the MASK OFF, and falls over to her side, fainting.
The SCREEN FADES TO BLACK as if we pass out with her, as
some DEPUTIES in SLOW MOTION begin running towards her,
with NO SOUND, accept almost a hollow wind tunnel noise/
helicopter echoing over the SCENE FADING.
FADE OUT:
FADE IN:
(INT.) HADDONFIELD MORGUE - AUTOPSY ROOM - DIMLY LIT -
NIGHT:
SUPERIMPOSE TITLE, Out of the TITLE SCREEN, you begin
hearing some muffled music and a MUSHY SOUND as a YOUNG
attractive MORTICIAN, named BECKY is hard at work in the
EXAMINING LIGHT, on a DECEASED MAN removing his organs
and weighing them, as she is also listening to an iPod.
Suddenly the DOUBLE DOORS entering the room are SLAMMED
OPEN, by a GURNEY and two EMT's following delivering a
BODY that is zipped up in a BODY BAG on that GURNEY.
BECKY appearing overworked, SLAMS her SCALPEL down,
removes her EARBUDS/HEADPHONES.
BECKY
Really, another one! It's the fifth
one today. When are you guys, going to
stop? You two also need to learn how
to knock.
EMT1, a slightly cocky fit guy, barks back at BECKY.
EMT1
Damn Becky! Don’t be so God damn
pissy. We're just doing our job. You
know that! I'm going to have to
start calling you Bitchy Becky.
BECKY picks up her SCALPEL, points it at the EMT's as
she gets back to her dissection.
BECKY
Well you know what! You two could
quit anytime. The shit wouldn't
bother me, one bit!
EMT2 a smaller computer nerd type, replies
EMT2
It's not our fault! It's that
bastard, Michael Myers! His sorry
ass has been chopping up the whole
damn town. Kind of like you!
BECKY
Yeah I know! I've heard, trust me!
Who's in the bag?
EMT1
Annie Brackett!
BECKY
Oh my God! Poor Sherriff Brackett!
Suddenly their conversation is interrupted from a
frantic RADIO CALL, through a RADIO attached to EMT1.
UNKNOWN DEPUTY (V.O.)
We got the son of a bitch! We got
him! He's fucking dead! We need
someone to respond and retrieve the
assholes body! We are on
interstate 77 just past the Roberts
farm at an abandoned cabin, You'll
see all the lights from the police
cars!
EMT2, frustrated in hoping that this was their last run.
EMT2
Come on! Let the other guys take
this one. We should be clocking out,
right now.
EMT1 ignoring his partners disapproval!
EMT1
There is nothing wrong with a
little overtime. Now is there?
EMT2
(frustrated)
God damn it!
BECKY
(amused, smug)
Hah! Hah!
EMT1
(radio response)
This is unit 31. We are dropping off
a body, as we speak. Give us about
twenty minutes and we'll be there.
UNKNOWN DEPUTY (V.O.)
(radio)
Copy that! Since you guys are
already at the morgue, go ahead
and let Becky know, that she
has two more heading her way.
EMT1
(rubbing it in)
Looks like Bitchy Becky is getting
two more, to add to her collection!
EMT1 arrogantly EXITS the ROOM, followed by EMT2
WAVING bye TO BECKY, as she excuses the two, by putting
in her EARBUDS, and STICKING OUT her TONGUE in a
childish manner, as she CONTINUES with her DISSECTION.
CUT TO:
(EXT.) HADDONFIELD - INTERSTATE - THUNDERSTORM - NIGHT:
CAMERA STATIONARY and FOCUSED, looking down the
interstate from the side of the road, as an AMBULANCE
approaches, speeding with its LIGHTS FLASHING and
SIRENS SOUNDING. With just the sound of the rain coming
down and the ambulance as it approaches, knifing
through the rain, and zooming past and out of scene.
CUT TO:
(EXT.) HADDONFIELD - ISOLATED CABIN - RAIN DYING DOWN -
NIGHT:
HELICOPTER P.O.V. CIRCLING
showing the crime scene with POLICE CARS, an AMBULANCE,
that is surrounding the CABIN that is now in clean
up mode, It concludes as another AMBULANCE pulls up to
the scene, with EMT1 and EMT2 exiting the vehicle.
CUT TO: :confused: