[psycho d]

Sorum (2001). Sorum is a movie that dances around genres with a fear of commitment that only adds to the grim details of our character's lives. Unlike other movies, it does not fall prey to the contrived necessity to reveal the complete back plot by way of ostensible flashbacks. Instead it relies on the intelligence of the audience to figure it out, or not. The characters here are a shifty lot, creating a splendid layer of suspicion as to who is going to be the bad guy, if such a creature is to make an appearance. Likable the characters are not. Set in about as dreary a housing complex that has ever existed, this home ground symbolizes the lives of our players, a corrupt morality where life's baggage keeps piling up unattended, with stagnation sure to seek rot as its faithful companion. This is the setting for a typical South Korean cinematic affair, a convoluted tale of shady characters whose shenanigans are sure to catch up with them. The only question is what form will their dirty deeds manifest in order to play havoc on the remainder of their lives. The acting was strong; they all captivated my whole attention in that I wanted to know just what sort of past could have created such misery. Director Jong-chan Yun's debut is a solid one. He crafts a creepy tale that relies on filming basics, eschewing any need for tricky tactics to mask any shortcomings. Not a film for everyone, but for those that enjoy a slow burner with lots of character meat to chew on, Sorum is sure to satisfy us in one way while challenging us in another.
Genruk