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The problem as I see it is that the US isn't all that discriminating about what it imports. We get just as much crap as we get good stuff from Japan, and unfortunately a lot of J horror just sells because it's J horror. But anybody who's seen Tetsuo, Ju-on, Honda's original Gojira or Odishon can't deny the merit. Finding really good J horror is as hard as finding really good contemporary horror.
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