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I think it's interesting that we keep going back to this notion of the "effeminate man" or "tomboy". Obviously, these ARE frames of reference that exist within our current discourses on gender.
What I was trying to get at in my original post was that rather than thinking of qualities as "masculine" or "feminine" we need to deconstruct BOTH genders and build up again afresh, free from the anchors with which we define character attributes. Obviously this kind of sociological revolution cannot happen overnight. But as I said, I think part of the problem is the emphasis on discussing and criticising portrayals of men and women as men and women, rather than just as people. |
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That being said, I'm not sure what you mean by we need to "deconstruct BOTH genders and build up again afresh". |
I am a man, but I would actually say I am a strong feminist, but not radical. I think the radicals go over board. In my opinion, the horror genre is the best in regards to women. Especially 70s up. I find it funny that some critics in the 80s actually said slashers was a reaction against feminism because, in my opinion, the opposite is true.
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In other news, Lily Allen's new song delightfully deals with this topic. Especially like the Robin Thicke line. |
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And another thing I would like to see is an equality movement that isn't either feminism or the mens rights movement. Both camps are fighting their battles with the attitude that "it's the other genders fault" - I don't think that will do anyone any good. |
Yes! This is the sort of thing I signed up for! I love engaging in philosophical discussion. Sorry I couldn't post sooner, but I've been busy with work and the like.
Anyway, I think you all raise some interesting points regarding gender issues in society and media. I guess the biggest point I would raise right now is the lack of true female voices in cinema/ fiction (especially in the horror genre). Discussions of representations of women in cinema are fraught with peril, and slasher films are a prime example. Slashers may be seen by some people as 'reaction[s] against feminism' (as metternich pointed out), but others might claim that they are indeed pro-feminist (its usually always a woman who survives and men who die by the end credits, as Kandarian Demon pointed out). Both opinions hinge on the crucial 'p' word: perspective. Both perspectives have significant evidence to support them. And this brings me back to my earlier point: The dominant horror film makers are men. This may be wishful thinking (due to inherent sexism within society), but I think there need to be more female horror film-makers/ novelists. Who can better give a female perspective than females themselves? Does anyone know of any female horror writers that are popular (I can think of only Anne Rice)? |
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